Waxman did, in fact, compose the very different “Carmen” Fantasie. 25) out of themes from the opera, and later expanded his potpourri into a concert piece for violin and orchestra – though more than one reference book quite incorrectly ascribes this orchestral version to the Silesian-born American composer and conductor Franz Waxman (1906 – 1967). Pablo Martin Meliton Sarasate y Navascuez (1844 – 1908) seems to have been the first to discern a specifically violinistic character in “Carmen.” He wove a virtuosic if somewhat patchy fantasy for violin and piano (Op. In our own time the Bizet masterpiece has been tranmogrified as a musical (Carmen Jones) as a ballet (by the Soviet avante-garde composer Rodion Shchedrin) not to mention Tin Pan Alley songwriters, jazz instrumentalists, bathroom baritones and even rock groups. Not so many years later it was the most-often performed opera in the international repertoire, and for the better part of a century this music has been popular far beyond the lyric theatre. Georges Bizet (1838 – 1875) died only three months after the premiere of “Carmen” convinced that it was a failure.
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